I've read last year that UHD still costs at least 3 times the cost of a BD to manufacture, with very high glassmaster fixed costs. Since the market for UHD is at best 20% of the BD market, itself at best 30% of the physical market (going up solely because the DVD is dropping so much), these higher costs will need to be recouped on a much smaller market. In France, UHDs are 1.2% of the overall market.ford wrote:Maybe I've got their market all wrong, but you'd think the kind of person who buys Criterion discs is also someone who prioritizes having a relatively top-of-the-line television, etc. I'd also imagine the cost of manufacturing UHD discs has come down in the past three years.RitrovataBlue wrote: ↑Thu Feb 13, 2020 5:44 pmAt this point, I’m surprised that no filmmakers have tried to persuade CC to go UHD. Guillermo Del Toro was apparently instrumental in getting the Hellboy films and Pan’s Labyrinth upgraded by major studios; surely he’s spoken with Criterion about it as well.
Look also at how pretty much no indie label have institutionalised UHD releases. Some are only going to released their first one in 2020, while others have only released a handful, and most, including some big indie labels like Arrow or Criterion, have released none.
I understand some people are eager to see these movies on the best possible format, but I think it's clear the market sales potential is what it is for this : extremely low, and thus very delicate financially to go into.
As for SK physical market : it heavily dropped and many households dont even have a DVD player anymore. BD never caught up since most consumers basically dropped the physical market altogether. I guess UHD is not going to. This explains why the KFA chose to upload so many of their movies on YouTube rather than focusing on BD releases (source : the KFA itself).